by Chris DelaRosa
Having never watched “Frozen” before I wasn’t sure what I was getting myself into. I didn’t know if I needed to watch the movie before hand or just dive in headfirst. I took the latter. (I did watch the movie afterwards). I saw many families with their very own “Queen Elsa’s and Princess Anna’s.” I also saw a “Drag Queen Elsa” in the lobby. There was a photographer with a “Frozen” backdrop there to capture photos of families on this magical evening. I knew I was in for a night of great music and entertainment.
The intricate details and vibrant colors of the costumes and scenery, designed by two-time Tony and Olivier Award winner Christopher Oram added to the authenticity of the characters, making them feel like they had stepped straight out of the iconic animated film.
The show was a visual feast, capturing the icy grandeur of Elsa’s ice palace and the warmth of Anna’s journey with stunning detail. The innovative use of lighting and projections designed by six-time Tony Award winner Natasha Katz and special effects designed by Jeremy Chernick brought the snow-covered landscapes and mystical elements of the story to life, creating an immersive atmosphere that captivated the audience. Special mention must be made of the puppet designs by Michael Curry who brought “Olaf” and “Sven” to life.
Jeremy Davis brought delightful charm to the role of Olaf. His comedic timing and endearing portrayal of the lovable snowman added a lighthearted and joyful touch to the show. Davis’ performance was a perfect blend of humor and heart, making Olaf a standout character.
Colin Baja’s transformation into Sven the reindeer was a marvel to behold. His physicality and movement brought Sven to life in a way that was both realistic and whimsical. Baja’s portrayal added an extra layer of magic to the production, making Sven a memorable and beloved character.
The musical numbers were a highlight of the show, blending familiar favorites with new songs that seamlessly fit into the storyline. “Frozen” features a dozen new numbers by the film’s songwriters, Oscar winner Kristen Anderson-Lopez and EGOT winner Robert Lopez. Joining them on a creative team that has won a cumulative 16 Tony Awards are Oscar winner Jennifer Lee (book), Tony and Olivier Award winner Michael Grandage (director), and Tony winner Rob Ashford (choreographer). In addition to seven favorites from the movie. Some standout new songs in the first act included “Hans of the Southern Isles,” performed brilliantly by Preston Perez, and “Dangerous to Dream,” an emotional solo by Elsa (Caroline Bowman) as she wrestles with her inner turmoil while being crowned queen of Arendelle.
Caroline Bowman, who played Elsa, delivered powerful vocals that truly captured the essence of her character. Her rendition of “Let It Go” was a show-stopping moment, filled with emotional depth and raw energy. Bowman’s ability to convey Elsa’s inner turmoil and strength through her singing was a highlight of the evening, beautifully concluding the first act.
The second act opener, “Hygge,” performed by Oaken (Jack Brewer), exemplified the impactful stage entrances. The choreography was dynamic and energetic, adding to the overall excitement and magic of the performance. “I Can’t Lose You,” a poignant duet between Anna and Elsa, explored the complexities of their relationship and their deep yearning for each other. This song unfolds after Anna discovers that Elsa’s powers nearly killed her in childhood, resulting in their prolonged separation.
“Monster,” a powerful and emotionally charged ballad, offered deep insight into Elsa’s struggles with her identity and self-worth. Additionally, Nicholas Edwards, as Kristoff, captivated the audience with a solo near the end, demonstrating the power of a single, well-executed lullaby.
Nicholas Edwards shone as Kristoff, bringing a rugged yet tender quality to the role. His strong stage presence and warm vocals made Kristoff’s journey with Anna both believable and engaging. Edwards’s chemistry with the other cast members, especially Anna, added a heartfelt dynamic to the story.
Preston Perez, hailing from San Antonio, impressed as Hans. His transformation from a charming prince to a sinister antagonist was executed with finesse. Perez’ performance was compelling and nuanced, capturing the complexities of Hans’ character.
“Frozen” on Broadway at the Bass Concert Hall was a magical and unforgettable experience. Whether you’re a longtime fan of the film or new to the story, this production is a must-see. It combines exceptional performances, stunning visuals, and heartwarming music to create a theatrical experience that will leave you enchanted.
The Tony nominated Best Musical, will play a 10-day premiere engagement at Bass Concert Hall that began Wednesday, June 5, 2024, with performances playing through Sunday, June 16, 2024.
In Austin, Frozen will play Tuesdays through Thursdays at 7:30 pm, Fridays at 8 pm, Saturdays at 2 and 8 pm and Sundays at 1 and 6:30 pm. There will be an additional matinee on Thursday, June 13 at 1 pm. Extra Magic Packages, which include prime seat locations and a VIP Fan Pack, are also available. Tickets are available at the Bass Concert Hall Box Office and online at texasperformingarts.org and BroadwayinAustin.com.
More on Frozen: Disney Theatrical Productions under the direction of Thomas Schumacher presents Frozen, the North American Tour, music and lyrics by Kristen Anderson-Lopez and Robert Lopez and book by Jennifer Lee directed by Michael Grandage with: Caroline Bowman (Elsa), Caroline Innerbichler (Anna), Mason Reeves (Kristoff), F. Michael Haynie (Olaf), Austin Colby (Hans), Jeremy Morse (Weselton). There are currently four productions of Frozen playing around the world, including Tokyo, London and Hamburg. The Tony®-nominated Best Musical completed its Broadway run in March 2020 after breaking four house records at The St. James Theatre. Since its Los Angeles premiere in 2019, the North American tour of Frozen has welcomed more than 2 million guests. Two-time Tony Award winner Stephen Oremus is music supervisor and creates vocal, incidental and dance arrangements. He is joined on the music team by Tony nominee Dave Metzger (orchestrations), Chris Montan (executive music producer), David Chase (additional dance arrangements), and Faith Seetoo (music director). Anne Quart serves as executive producer.
