Virtual Event Announced for April 23, 2021

AUSTIN, Texas (March 24, 2021) – Austin’s premier charity event, Mack, Jack & McConaughey (MJ&M) will return in its ninth year for a virtual experience on April 23, 2021. MJ&M is the joint fundraising effort of Academy Award-winning actor Matthew McConaughey, ACM Award-winning recording artist Jack Ingram, and coaching legend Mack Brown.

The program is the virtual edition of the iconic event that promises an unforgettable evening of impactful stories and a lineup of exceptional performances. Viewers will have the chance to support the cause with access to a silent auction offering exclusive and one-of-a-kind lots.

Since its inception in 2013, MJ&M continues to make a direct impact on the Austin community and across the country. The nonprofit event has resulted in nearly $16M invested into charity beneficiaries, serving organizations dedicated to children’s education, health, and wellness.

The event will aid charities devoted to children’s wellbeing, including CureDuchenne, Dell Children’s Medical Center, HeartGift, just keep livin Foundation and The Rise School of Austin.

“Now more than ever is the time for us to come together and raise awareness and money for these charities working hard to help children succeed,” said McConaughey. “Camila and I are proud to join our dear friends for this special event each year and know MJ&M 2021 will be a year to remember.”

The Mack, Jack & McConaughey virtual experience will be held on April 23, 2021 at 7p.m. CST. To access the event, individuals are asked to make a $25 donation. Register here:

See our coverage from MJM 2019:

MJ&M 2021 sponsors include: American Airlines, American Campus Communities, Covert Cadillac, H-E-B, Lone Star Ranch Water, Neiman Marcus, Nike, and Sewell Automotive Companies. Sponsorship opportunities are still available; please contact Jessica Balladares-Bennett at

For more information about Mack, Jack & McConaughey, or to sign up to receive further announcements about the 2021 event, please visit

Trailblazing Vampire Weekend Showcases their Unending Ingenuity on Austin City Limits

KLRU Austin City Limits broadcast taping at ACL Live At The Moody Theater
by S. Pulse

002_ACL_VampireWeekend_byScottNewtonKLRU__SNP4667(photo Scott Newton and KLRU)

Vampire Weekend (VW) closed out their three-day run at Austin’s ACL Live at the Moody Theater with a special taping set for the KLRU Austin City Limits broadcast series. The crowd included lucky lottery seat holders who received the most sought-after tickets of the summer.

As soon as they spotted floppy haired front-man Ezra Koenig, along with original members Chris Baio and Chris Tomson, they welcomed them back with a burst of appreciative hollers and applause (VW’s last ACL broadcast was in 2013). Missing was Rostam Batmanglij, who amicably left the group in 2016, but remains a contributor. Other personnel changes include the addition of four new band members (Greta Morgan, Brian Robert Jones, Will Canzoneri, and Garret Ray).

003_ACL_VampireWeekend_byScottNewtonKLRU__SNP5681(photo Scott Newton and KLRU)

Koenig took the stage sporting a decidedly new look — his preppy attire of the past was replaced by a more laidback ensemble consisting of an orange safari shirt, drawstring hiking pants, and Chaco sandals. His choice of versatile and comfortable attire may have been an early clue of what to expect in the evening ahead. Fans were about to see a band that is more confident, unconcerned about image, and carefree enough to explore cunning new musical areas.

007_ACL_VampireWeekend_byScottNewtonKLRU__SNP5765(photo Scott Newton and KLRU)

The evening opened with “Sympathy”, a biting, rhythmic-driven piece from the recently released album “Father of the Bride (FOTB)”. Classic crowd favorites “Unbelievers” and “Cape Cod Kwassa Kwassa” followed igniting the crowd which included many long-time fans. However, it was the next song of the evening, “Sunflower”, that sent a jolt through the theater and reminded the audience that VW is continuing to grow in unexpected and delicious directions.

Guitarist Brian Robert Jones showed his value by laying down some six-stringed funk while clad in a tie-dye tee and swim trunks (lovin’ it! See you at Barton Springs later?). The jam continued as Koenig joined in trading riffs with Jones in an energetic guitar collaboration.

Returning to past material, Koenig delighted the crowd with his yodel-like vocal runs in the song “White Sky” and then quickly returned to their newer FOTB material performing the light and snappy “Bambina”. These two bouncy lilts gave way to something unexpected. Perhaps the performance that most strongly highlighted VW’s innovation was their rendition of FOTB’s “2021” (a year many anticipate!).

The song began with an airy melody featuring Koenig’s use of a Peter Frampton-inspired Talk Box. Starting sparse and minimal, “2021” slowly built, added layers and eventually morphed into an all-out jam session that electrified the crowd. Next up, was the much-adored mid-tempo melody “Step” (we felt it “in our bones”!) which led into FOTB’s slow and lounge-vibey “My Mistake”.

VW’s versatility as a band was on full display mid-set with a rendition of “New Dorp. New York” (originally a SBTKRT / Koenig collaboration). Guitarist Jones’ axe skills were showcased again shredding on this psychedelic EDM tune that included Koenig rapping over a steady beat that drove the audience into a dancing frenzy (particularly the energetic ladies in the front row).

Back-to-back hits from FOTB followed including “This Life”, a song with dark lyrics contrasted by a deceptively happy melody that made heads bob, and “Harmony Hall” featuring the poignant lyric “I don’t wanna live like this, but I don’t wanna die.” These new songs were followed by a rapid-fire dose of proven hits consisting of the dynamic song “Diane Young” (the surf-music beats brought the crowd to their feet), the lively “Cousins” and a highly anticipated performance of the song that brought VW world-wide acclaim, “A-Punk”.

As with any good work-out, VW knew it was time to cool down before heading home. The enchanting “Hannah Hunt” washed over the crowd with the calmness of a satisfying child’s pose. An equally soothing melody followed as VW launched into their stripped-down song “Jerusalem, New York, Berlin”. The piece’s tranquil mood ceased with an unexpected cutting turbulence of drums that mushroomed into a dramatic crescendo that left Koenig standing solemnly guitarless in front of a spotlighted mic before exiting the stage.

Phew! What a ride! But the crowd wanted more and successfully begged for an encore. VW returned performing a cover of Crowded House’s “Hey Now” which was well-received by the audience who decided to collectively sing along.

The evening took an interesting turn when Koenig explained that the encore would include the re-performance of two songs (“2021” and “This Life”) for the broadcast editors (the songs seemed to be shorter versions). Fans didn’t mind and were happy for the added performance time. The band finished out the evening with the raucous “Walcott” and we all were transformed “out of Cape Cod tonight”.

The set list for the evening (see below) was a balanced mix of time-proven fan favorites and new material. The limited television format combined with VW’s growing catalog of songs, meant that choices had to be made to forego performing some beloved crowd favorites including “Oxford Comma”, “Ya Hey”, “Horchata”, “Giving up the Gun”, and “The Kids Don’t Stand a Chance”. (Hey, you can’t have everything).

In the end, the song selection was a beautifully curated sample platter of VW’s eclectic style from the past and the present that left the audience fully replete. The crowd departed the theater pleased that their much-adored indie band still delivers the classic VW sound, but also excited for the future as their band continues to grow, explore, and create adventurous new music. Tighten up your Chacos, it’s going to be a beautiful journey!

See our photo gallery from ACL night one.

Set List:

  1. Sympathy
  2. Unbelievers
  3. Cape Cod Kwassa Kwassa
  4. Sunflower
  5. White Sky
  6. Bambina
  7. 2021
  8. Step
  9. My Mistake
  10. New Dorp. New York (cover of SBTRKT/Ezra Koenig collab.)
  11. This Life
  12. Harmony Hall
  13. Diane Young
  14. Cousins
  15. A-Punk
  16. Hannah Hunt
  17. Jerusalem, New York, Berlin
  18. Don’t Dream It’s Over (Crowded House cover)
  19. 2021 (Repeated for broadcast)
  20. This Life (Repeated for broadcast)
  21. Walcott


Vampire Weekend Delivers After a 6-Year Hiatus

Austin’s ACL Live At The Moody Theater, by Dan Radin

“You guys have a lot of energy for a Tuesday,” proclaimed Vampire Weekend frontman Ezra Koenig to the sold-out crowd at ACL’s Moody Theater.

Vampire Weekend 015.jpg(photos Danny Matson)

In a change of pace from their usual festival gigs, Vampire Weekend transformed the intimate theater with a feeling their fans thought they’d forgotten. Vampire Weekend hasn’t performed in Austin for 6 years, and clearly still nobody gives a f*ck about an “Oxford Comma”.

The band quickly sold out two consecutive nights at ACL before their Austin City Limits TV taping on the third evening, in support of their fourth studio album, “Father of the Bride.” They could’ve sold out a week’s worth of shows.

Vampire Weekend 024Koenig’s silhouette first appeared onstage wielding an accelerating guitar arpeggio, joined note-for-note in tandem by each band member that erupted into “White Sky.” The New York crew rumbled and swooned their way through two and a half hours of their signature Afro-pop, evenly representing each album of their decade-long career.

A casual Koenig, dressed in Chaco sandals and all stripes-denim and white- clothing, could have been mistaken for Michael Cera attending a beach wedding. Beneath a giant illuminated Earth above the stage, his light croon melted into the glowing fog with the boyish timbre of the very recordings that catapulted Vampire Weekend from Ivy League indie darlings to American rock mainstays.

Vampire Weekend’s distinctive fingerprint derives from their worldly instrument choices, disguising a garage orchestra flair. Reminiscent of a classically-infused “Graceland,” small percussion drove songs like “Cape Cod Kwassa Kwassa” and “Bambina.” Harpsichord-esque parts of “M79” relived the baroque era in Brooklyn hipster form. Koenig even jumped to vocoders atop the light drums, upstaging continuity in favor of the band’s evolving sound (following the departure of former guitarist/producer Rostam Batmanglij). New singles “Harmony Hall” and “This Life” landed emphatically. VW even deviated from the setlist to take some requests, spawning “Holiday” and “Campus.”

Much to the delight of the energetic crowd, Vampire Weekend tore straight through “Diane Young,” “Cousins,” and “A-Punk,” before Koenig did some reminiscing about a previous show in Austin.

“I’m pretty sure it was the last time we played in Austin- we played this next song and someone threw their school ID on stage… and their name was the same name as this song. So shout out to that person,” cueing his bandmates into “Hannah Hunt.”

Cristone Kingfish 012Christone “Kingfish” Ingram blew the doors off the joint to open the evening with a dazzling display of a shredded delta blues. Vampire Weekend later brought him back out to lead Neil Young’s “Vampire Blues.” Humbly sidestepping their own greatness, Vampire Weekend recognized the 20-year-old’s virtuosity and seemed hell-bent on sharing him with the world.

The band concluded their main set with the melancholy piano of “Jerusalem, New York, Berlin.” Whether or not fans caught the underlying lyrical message of the new ballad, every silent eye was locked in with the performers.

The heartstrings stretched furthest during “Step”, as 2,000 voices roared for Koenig’s pleading cry, “I feel it in my bones… I can’t do it alone.” It’s mutual Ezra. Vampire Weekend’s fans in Austin missed you.

View the photo gallery from the show at Austin 101 Magazine.


White Sky
Cape Cod Kwassa Kwassa
One (Blake’s Got a New Face)
Rich Man
New Dorp. New York (SBTRKT cover)
This Life
Harmony Hall
Diane Young
Hannah Hunt
Vampire Blues (Neil Young cover) (with Christone “Kingfish” Ingram)
Flower Moon
Jerusalem, New York, Berlin
The Kids Don’t Stand a Chance
How Long?
Holiday (By Request)
Campus (By Request)